The Man Who Became A Woman

Sherwood Anderson

Year

1923

2821

2751

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Description

"The Man Who Became a Woman," a story by Sherwood Anderson published in the 1923 collection "Horses and Men," delves into the complexities of identity, gender, and societal relationships. Narrated by Herman Dudley, the story navigates his evolving perceptions of species, races, and genders. Anderson, known for his exploration of sexuality and the unconscious, uses Herman’s narrative to probe deeply into these themes. As Herman’s disillusionment with humanity grows, he develops an affinity for the simplicity of animals, particularly horses, which he views as superior beings. This unusual perspective underscores his dissatisfaction with human complexities and societal norms. The narrative’s exploration of racial relationships reflects the unenlightened yet earnest attitudes of early 20th-century America. Herman ponders the differences between races, offering observations that, while well-meaning, are reflective of the period’s prevalent views. Burt, a black man who defends Herman, introduces a hopeful note amidst this racial tension. The story's primary focus is on gender relationships, as suggested by the title. Herman's affection for Tom Means and his discomfort in expressing this love openly highlight the societal taboos surrounding male relationships. The pivotal moment occurs when Herman imagines himself transforming into a woman—a fearful, shy, and passive figure, contrasting sharply with the strong women he disapproves of. This internal transformation is marked by a stark critique of gender roles and expectations. Anderson’s narrative leaves Herman exposed and vulnerable, both physically and emotionally. The story culminates in a suspenseful and humiliating scene at the stables, where Herman, naked and defenseless, must confront the laughter and scorn of those around him. The vivid descriptions of the racetracks, stables, and the psychological tension binding the narrative together create an intense reading experience. Virginia Woolf praised Anderson for his ability to make the senses flourish, a quality evident in the rich, sensory details of "The Man Who Became a Woman." Anderson’s blending of sketching and psychological realism provides a deep, introspective look at the narrator’s psyche, examining the mature man through the lens of his younger self. Please note: Written in the early 20th century, "The Man Who Became a Woman" reflects societal attitudes and language of its time, including views on gender transformation that may be seen as outdated today.